Lajos Csertő defines Himself as a Sculptor, but his definition would be more "material master", and even more classic polyhistor for our age. He has been living and working in his studio far from the everydays issues and "sentenced" for lifetime work of His own ideas and projects. He uses different metals, porcelain, glass, onyx, marble, wood for his his art production and most of his engineering works are made of metals, as well.

His familiarity with different source materials and his demand for innovation is seen best in his sculpture and architectural artwork element production. His material expertise and mechanical engineering skills are evident in the steel structures simple roof of factory building in Herend, or can be seen on wings of the churches in Százhalombatta and Paks.

As world-famous church-builder Makovecz said: "He is never amateur". As he always completes tasks and artworks with highest demand to Himself and with respect to all characteristics of the output.

His interest is focused on "building something unexpected". When he forms a glasstube or carving a piece of wood or granite he wants to make surprised audience with His special technics and unique imagination. When you see His artworks you will soon turn to the feeling of His special creatures and technological solitions. His experimantal spirit is reflected in final results and absolute original ideas opened to the world.

He is a "Home-country builder". He is 100% Hungarian and 100% World- Citizen with healthy balance between actual topics and challenges. His new innovations target the solutions of our changing world. How to protect Biosphere against global changes, how to ensure safe and fruitful local environment for people in a certain area jeopardized by drought, severe weather and desertification. Making and maintaining things alive is His key principle and philosophy. Besides His artworks on buildings and public statues that makes Him as "Home-country builder".

His continuous improvement requirement in artworks and in construction are persistently obtainable in the final result. It is more than a maximalist view. This is His Ars Poetica.